Magic

Unknown place, known tree

Very often, when I photograph, I don’t review my work immediately. Instead, I let some days pass by. The reason behind this habit is to emotionally detach from my work so that I can judge it more objectively.

I recently discovered an exposed black-and-white film in a drawer, devoid of any notes. Considering I rarely open that drawer, it must have been there for years. Of course, this extreme act of “detachment” occurred by mistake, but the feeling of having found a hidden treasure was magical.

Intrigued by this discovery, I developed it yesterday. Fortunately, the developed frames turned out in pretty decent condition. I can’t really recall where I was when I took those photos, which makes it even more magical.

(Ilford FP4 Plus in 120 format developed in 510 pyro, 10 minutes at 20°C)

Leaning

Neviges, Germany - St. Mary Church, three candles, the middle one not perfectly aligned vertically like the other two.
Church “Maria, Königin des Friedens” (Mary, Queen of Peace) – Neviges, Germany

The longer I live in this world, the less I understand it. As the time passes by, I feel less and less aligned with the most widespread opinions around me, just like that candle in the middle.

Am I just a broken gear? Or, as I’ve grown older, have I simply seen the futility behind the curtains?
I cannot answer that question. I keep leaning more and more.

Experimenting with Mobile Photography

 
A lot of debates about mobile photography are still ongoing. Recently I read an article written by an Italian journalist, Roberto Cotroneo, who defines himself as an intellectual, writer and poet. In this article he nostalgically (and also pathetically) criticizes the alleged poor quality of the new mobile means and softwares. Continue reading →